The difficulty of describing this kind of poetry is of course tied to its lack of regular metre. Urbańska’s argument has provoked adamant pushback from Adam Dziadek (among others) in his text Polish Versology - (contra)versy (Wersologia polska – kontr(o)wersje), in which he argues that structuralism confronts the problem of free verse, while Urbańska’s typology offers no resolution on this matter: Urbańska’s dichotomy seems derivative of a totalising opposition between verse and prose, linked in spirit to the historical Avant Garde and its demonstration of the autonomy of poetic language. As a text, free verse therefore conveys its poetics to the reader primarily through the act of reading quietly. I will note that Urbańska’s classification of free verse is rooted in a strict dichotomy between verse with and without syntax, defined by line length determined by the author’s arbitrary choice. Dorota Urbańska’s canonical essay on versification in free verse evokes precisely this tradition 1. Polish criticism has traditionally applied a structuralist reading to the avant-garde poetry developed, for the most part, through the Kraków-based poetic programs of Przyboś and Peiper.
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